Stories of Democracy and Monarchies
As a political scientist I don’t really find any
form of government necessarily boring. In fact I’m probably a bit
unconventional in my approach to the viability of various forms of government.
But as I began working on my creative writing hobby, I realized a few things
that are retrospectively simply obvious.
First, most fiction stories of note take place in
worlds with non-democratic governments.
Second, democracy is boring.
The second point reinforces the first. That is,
the boringness of democratic governance leads to the writers of fiction stories
to instead pursue more interesting governmental systems, thus using a government
that isn’t a democracy, or at the very least only vaguely resembles a democracy.
Democracy is driven by the most boring endeavor in
the history of mankind – bureaucracy. Bureaucracy is the system by which operations
are set to happen. In the abstract, everyone hates it and tends to say they can’t
understand it. But it’s a simple concept. It is simply the rules about which systems
operate. The fact is bureaucracy is ever-present in our lives because that is
just the logical way to carry out organization for the completion of tasks. The
DMV gets a bad reputation, and it’s blamed on the bureaucracy, but the reality
is that there is little else option. Society dictates that anyone who wants a
driver’s license must be of a certain age, pass a certain set of tests, and
their identity must be verified. The DMV is the bureaucracy through which that
takes place. It’s painfully boring and tedious to most, but it is a system that
is required to exist.
That is what democracy is, in so far as the system
of governance. It is in part why it works – there are rules and processes that
must be followed, and breaking those rules and processes takes substantial
effort. It is complex, multi-leveled, with reasonable fail-safes to help
preserve sustainability of the nation in question.
This is all well and good for reality. In real
life this is necessary. Real life is supposed to be boring when dealing with stuff
like government. The fact that it is not is a problem in of itself.
That is what makes properly functional democracy a
poor fit for exciting storytelling. Think for a moment of any story you’ve
read, or watched on TV or at the theater. Most of the time it either involves
some form of monarchy, or if there is a democracy it is absurdly corrupt or
otherwise faulty. This is all for the excitement of the story.
It is also all for simplicity. Democracy is often
mistakenly conceived as a top-down pyramid in a traditional sense. Casually ask
most people how the government is organized, they will tell you it’s the
president/prime minister at the top, the Congress/diet/parliament, and then the
courts. This is obviously a wrong-headed understanding of government, and leads
to a problem I believe in the interaction with government most people envision.
The fact is those three branches are equals in their role. The courts, if they
pursue unanimity in purpose, can enforce what laws they deem suitable and those
they do not, by the very reality that it is incumbent on them to determine
matters of legality. There is only so much that can be done if the courts, for
instance, decide they will no longer proceed on cases of drug use.
Similarly, the legislature writes the laws and
passes them. If Congress passes a law that says you can’t walk and chew gum at
the same time, that becomes the law and so long as it is enforced no one can
walk and chew gum at the same time. The executive sets up the mechanisms for
implementing the laws. They create the bodies to oversee enforcement. If they
don’t do this, then it doesn’t matter how many laws Congress writes, because
there is no mechanism for arrests and incarceration.
Democracy is exceptionally complex and nuanced,
particularly if you want to get into the fineries of competition over power
between the executive, judicial and legislative branches, the roles of specific
power holders in each branch, and the interplay of terms of office – the judiciary
being life-terms, the presidency (at least in the US) being 10 years maximum,
and the legislature being indefinite terms at two or six years each.
And that doesn’t even cover the elements of
federalism with the different levels of government, or matters of succession in
the event of an individual’s death.
That complexity leads to possibility. There is
room to craft a truly interesting interplay with government. But the issue is
that it would more or less dominate the story. There is so much complexity that explaining it all would become a
necessity.
That is where the storytelling power of monarchies
come in. At a functional level there exists comparable structures; a parliamentary
style body that serves more as advisors, a judiciary that simply meters out
judgments that align with the laws of the kingdom.
There may be in a monarchy multiple levels of
government, but these are purely subservient to the monarch, less of the lab of
experimentation that is municipal government in most democracies. Succession in
any one position save the monarch themselves is simply a matter of appointment.
The biggest question of contention is the succession of the monarch, which is
what most such stories focus on – that battle of the reigning monarch to hold
on to power and the challenge from those who seek to dethrone them.
That makes monarchies simpler to write about. For all
the intricacy that can be placed into a story centered around a monarchy, it
can structurally be understood much more simplistically without as many leaps
in cognition. There isn’t the wonder about why some part of the government isn’t
doing something it should, or complex explanations about why some otherwise
obscure politician has any role of importance in the story. In part because democracy
is a system that is based on set rules, there is ease in outsiders entering the
story, but difficulty in assigning substantial influence. Conversely, there are
significant barriers to entry in an autocratic system, but there is relative ease
in assigning influence once overcoming those barriers.
Furthermore, there are acts that are more
acceptable for a monarch that would not be for a president or complimentary
person. While wealth for a democratic leader is viewed as an aberration, a flaw
within the system, the wealth of a monarch is expected. Their opulence becomes
a critical factor of the story, and again is where the excitement of a
democratic story comes in, though representing more a sign of the corruptness
of a floundering system, as opposed to the relative positive symbolism often
represented in non-democratic stories.
Finally, monarchies provide clear conflicts. War
is expected in a monarchy because of the idea that there are always many
fighting to have a voice in the system. In democracy the idea is that as
everyone has an opportunity to speak and be heard, internal conflict has no
place with reasonable people involved. Again, it serves as a sign of something perversely
corrupt if war breaks out internally in a democratic nation. Counter that with
the limits of hegemony that democracy entails. A democratic nation has to fear
overreaches as these make them seem less than democratic, both externally and
internally. Reaches for power and influence must be measured and to some degree
stealthy. Monarchies are not invested, in general, in such masking of intent. A
monarchy seeking to expand its influence will do so, answering only to those
who have the means of getting in their way; great for storytelling, not so much
for reality.
The simplicity of creating and sustaining a
monarchy in storytelling is easy. No excuse or explanation is needed for their wealth
or how it is received, no one outside their family is needed to be mentioned,
except as it pertains to the broader story and driving conflict. With a
democracy the wealth of the president becomes central to the framing of the
story in so far as how corrupt it is planned to be, and at least a vice
president and leader of the parliamentary body is required, as well as
sustained references to an ever-present election date.
It’s not that it can’t be done, but most fiction
stories look to tell a story different from the one relayed through politics. It’s
more interesting from a storytelling perspective to tell a tale of a fighter on
the battlefield dethroning a corrupt or evil king than of running a political
campaign and trying to win votes. It can be done, but it’s just not as
interesting. So when you read a bunch of fiction stories and wonder why they
involve monarchies and not democracies, understand that this is why; democracy
is effective, but boring.
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